Amy Sara Carroll
Amy Sara Carroll’s books include SECESSION (Hyperbole Books, 2012); FANNIE + FREDDIE/The Sentimentality of Post-9/11 Pornography (Fordham University Press, 2013), chosen by Claudia Rankine for the 2012 Poets Out Loud Prize; and REMEX: Toward an Art History of the NAFTA Era (University of Texas Press, 2017), which received honorable mention for the 2017 Modern Language Association Katherine Singer Kovacs Prize, honorable mention for the 2018 Latin American Studies Association Mexico Section Best Book in the Humanities, honorable mention for the 2019 Association for Latin American Art-Arvey Foundation Book Award, and was shortlisted for the 2018 Association for the Study of the Arts of the Present Book Prize. Since 2008, she has been a member of Electronic Disturbance Theater 2.0, coproducing the Transborder Immigrant Tool. She coauthored [({ })] The Desert Survival Series/La serie de sobrevivencia del desierto (Office of Net Assessment/University of Michigan Digital Environments Cluster Publishing Series, 2014). Published under a Creative Commons license, the volume has been digitally redistributed by CTheory Books (2015), CONACULTA E-Literatura/Centro de Cultura Digital (2016), and HemiPress (2017). Carroll was a 2018-2019 Fellow in the University of Texas at Austin’s Latino Research Initiative, a 2017-2018 Fellow in Cornell University’s Society for the Humanities, and since 2010 has participated in Mexico City’s alternative arts space SOMA. She is Associate Professor of Literature and Writing at the University of California, San Diego.