Bryan Schmidt

Bryan Schmidt is a PhD candidate in the Department of Theatre Arts and Dance at the University of Minnesota. He holds an MA in Theatre Studies from Florida State University. His research interests include festivals, participatory performance, critical race theory, and the creative economy. His dissertation focuses on the “transformational festival” movement, using the lens of performance to examine its connection to global eco- and ethno-tourism industries and political activism. He is also conducting a study on the history of street performance at South Africa’s National Arts Festival, focusing on its intersection with creative city discourse. His work can be seen in Theatre Journal, TDR (The Drama Review), and Dancecult: Journal of Electronic Dance Music Culture.


Submissions

Un Cuento Para Niñas / A Tale for Girls : Gloss

Costura / Weaving

11 Days of Ama-zing!: Three Vistas of Grahamstown : Gloss

What would it mean to imagine a festival dramaturgically? Can the polyvocal qualities of a festive “vibe” be effectively reproduced on the page?

11 Days of Ama-zing!: Three Vistas of Grahamstown

Three scenes from the National Arts Festival, blending the real with the imaginary, the fantastical.