Choice & Consequence : Gloss
Welcome to my gloss.
Archives
Redactions #9 : Gloss
If I won’t say it, at least I wear the marks of what I won’t reveal.
A Complicated Version of Freedom : Gloss
How might a theatre piece take advantage of four different languages conceived as musical instruments, each one with its own unique potential?
Uncle Vanya in Krivina: playing near two rivers
I would like the house to be un-crumbled, to undo the damage done by an earthquake, time, distance and neglect, and to place the performance and the audience in that house.
One-scene-one-person-one-song-musical : Gloss
Our theatre languages – not one, but many – will reflect the myriad visual, physical, social, musical and storytelling lives of our place and time, in the local vernaculars.
The impossible possibilities of decolonization
How can we embody the possibilities/impossibilities of decolonisation through dance?
Nearly Finished : Gloss
The mics across his body amplify every breath, rustle, or shift in position. The audience can barely see him, but his body extends to their ears. It's intensely intimate with no space between us – just a shared sound-filled presence.
A Hooligan Reflection : Gloss
I imagine theatre as the knife.
This is Me : Gloss
Open up. Let go of professional, strategic ideas of right and wrong, beauty and fear. Listen with an ear attuned to what is speaking. Listen as though the world is listening.