Performance strategies for more-than-human audiences
I. humiliation Move continuously to humiliate yourself. This can be done as a solo, duo, or group practice. Consider the […]
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How can we rehearse for a future we don’t have an image of?
What if we define values, principles, and methodologies, resisting the pressure to define outcomes? What if we focus on what drives us and on how we want to live and work together, but leave the imagination open to the concrete shapes our collaboration can take?
Pneuma: Queer Telling
Dangling in mid-air like a thrust-out tongue, an oval-shaped rocky surface extends from the mouth of a cave to form a rough-hewn apron stage in the middle of a mountain.
I Mumble the Body Electric,
or (i)Phone, (u)Phone
We hear an undeniably human voice. First a few. Then hundreds. Then thousands. Then all of the human voices in the world, all at once.
It would be about them : Gloss 2
It is the fantasy of a body discovering new relationships with itself. Silvia wants to be where there are no dimensions, neither internal nor external.
The heightened impossibilization of performance
Can we compose a performance that sails to you across a virtual arc, like these words, with the harp vibration of a telegraph, and no risk of contagion? How do we shrink this microscopic stage?
A Moby Dick Search and Rescue: The Whale
Hi Hey hi Hey hey hi
Correspondence
URGENT - WINTER WEATHER MESSAGE / HELLO FRIEND
A Plastic Theatre
In the end there is not nothing. In the end there is endless everything.
The Sacred Something
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.