Performance strategies for more-than-human audiences
I. humiliation Move continuously to humiliate yourself. This can be done as a solo, duo, or group practice. Consider the […]
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feast
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
ingat (to take care)
that moment before something is about to happen where anything is still possible in between this is where you are stuck
I Mumble the Body Electric,
or (i)Phone, (u)Phone
We hear an undeniably human voice. First a few. Then hundreds. Then thousands. Then all of the human voices in the world, all at once.
Future Perfect
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
A Night to Remember
The curtain opens on the cold, wintry Atlantic Ocean.
A Plastic Theatre
In the end there is not nothing. In the end there is endless everything.
The Sacred Something
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
Future Perfect : Gloss
The stage directions here describe the future, what will come to pass, and what has already passed for these characters between the time of the play’s setting and the time of the play’s writing.
The Sacred Something : Gloss
Rubbing up against each other (which is also a thing), things thing, and thinking things think about things, which is just their thing.