Work-in-Progress
We have to do better to offer arts programs in under-resourced schools. We have to do better to offer arts programs in communities of color. We have to do better in the future. But how are we doing better now?
We have to do better to offer arts programs in under-resourced schools. We have to do better to offer arts programs in communities of color. We have to do better in the future. But how are we doing better now?
that moment before something is about to happen where anything is still possible in between this is where you are stuck
In the end there is not nothing. In the end there is endless everything.
Decolonisation is deconstructing our understanding of the choices we have to make, and making them.
How can we embody the possibilities/impossibilities of decolonisation through dance?
This raises the question of whether theatre pieces that engage with race as a concept should direct audiences towards particular kinds of arguments. And if there are inexplicit arguments about diverse casting and performance in this imagined piece, will they be evident to audiences?