sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...
Duse’s superpower: her capacity to disappear, leaving only her plaster hands as evidence that she was a material presence in the world. Disappearance. Reproduction. She knew the theatrical drill.
It should be noted that the history of populism in the Americas is deeply entwined with the history of the balcony.
It must be with the sound of bells, bells that play longer than usual, which we perceive more clearly because […]
It starts when clearance is given. The house is opened. People begin to drift in.
It is possible to imagine this room, because you have been in it before.
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
The curtain opens on the cold, wintry Atlantic Ocean.