Worstward Ho
The father and his child plod somehow on past Croker’s Acres, down the fields and lanes.
The father and his child plod somehow on past Croker’s Acres, down the fields and lanes.
The audience files into the theater. Lights fade out, chatting subsides. Lights up. a figure enters from stage left. They […]
The audience waits in dim light. They hear the sound of paper fluttering, sliding, and crinkling, before they see […]
The remembered theatre used to be, and could be again, made of a simple composition. It begins with a worn […]
I want to explore Cubist theater with the dramatic voice. Speaking history of the north and west. Working […]
There is a garden in front of house. Is there a garden in front of house? Yes, there is. […]
The theatre that must exist is ugly and unsatisfying, much of the time. It is defined by failed efforts and a bizarre-bordering-on-pathological determination to return to the scene of the crime (in this scenario, artists are the criminals; art is the bullet; guess who the victims are?).
sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...