What if we define values, principles, and methodologies, resisting the pressure to define outcomes? What if we focus on what drives us and on how we want to live and work together, but leave the imagination open to the concrete shapes our collaboration can take?
sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
Dangling in mid-air like a thrust-out tongue, an oval-shaped rocky surface extends from the mouth of a cave to form a rough-hewn apron stage in the middle of a mountain.
They will surely become aware of the powers inherent in other generations, that the children and the elderly possess the wisdom of resurrection in our time.
It is the fantasy of a body discovering new relationships with itself. Silvia wants to be where there are no dimensions, neither internal nor external.
It starts when clearance is given. The house is opened. People begin to drift in.
It is possible to imagine this room, because you have been in it before.
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
Actors do their best to blend in to the faceless glass city. They get desk jobs, they settle down, they raise families. None of it is real.
In the end there is not nothing. In the end there is endless everything.