What if we define values, principles, and methodologies, resisting the pressure to define outcomes? What if we focus on what drives us and on how we want to live and work together, but leave the imagination open to the concrete shapes our collaboration can take?
The theatre that must exist is ugly and unsatisfying, much of the time. It is defined by failed efforts and a bizarre-bordering-on-pathological determination to return to the scene of the crime (in this scenario, artists are the criminals; art is the bullet; guess who the victims are?).
sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
The sun filters through and different hues dance on the table top and blind my eyes. I’m busy but I’ve stopped, and I run my finger softly over it. Its surface, as smooth as a mirror, seems to form a meniscus around my fingers and just for a moment I’m not sure where it begins and I end.
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This city is being made and headed for - from this town that has been arguing with me, it will get something.
The play begins / The play does not begin.
In the end there is not nothing. In the end there is endless everything.
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]