Shelter
When you leave you leave the windows open and the doors and because the house sits by the sea by first light a film of sand gilds the floorboards and the kitchen chairs
When you leave you leave the windows open and the doors and because the house sits by the sea by first light a film of sand gilds the floorboards and the kitchen chairs
THE TROUBADOUR THE VIRGIN THE STALKER THE DRUNK THE VIOLIN MAKER
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
Actors do their best to blend in to the faceless glass city. They get desk jobs, they settle down, they raise families. None of it is real.
Imagine their devotion. Imagine what they heard.
Can you see it? A huge expanse of water, crystal clear, a cliché. Dotted with little floating heads.
"In Teheran I can drive until the foot of the mountain
This was a long way from the contained theatre of a Chekhov play presented over a couple of hours and yet it was the same play. Instead, the audience was living with the characters in that house.
We are used to producing theatre that is designed to remove us from ourselves. Theatres enable us, the audience, to […]
I’m a single lesbian looking for a lover. I’m 44. My favourite food is chops. I make art to make […]