Crankie
The audience waits in dim light. They hear the sound of paper fluttering, sliding, and crinkling, before they see […]
The audience waits in dim light. They hear the sound of paper fluttering, sliding, and crinkling, before they see […]
The theatre that must exist is ugly and unsatisfying, much of the time. It is defined by failed efforts and a bizarre-bordering-on-pathological determination to return to the scene of the crime (in this scenario, artists are the criminals; art is the bullet; guess who the victims are?).
sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
We have to do better to offer arts programs in under-resourced schools. We have to do better to offer arts programs in communities of color. We have to do better in the future. But how are we doing better now?
Wish-full thinking. It contains a wish, a hope, a possibility, a thought experiment, a fantasy, a “what if…”, the potential of the performance to enact change – political or social change, maybe, or a change in the energy of the room, or a psychological change, momentary or lasting, in the spectator.
It should be noted that the history of populism in the Americas is deeply entwined with the history of the balcony.
Can we compose a performance that sails to you across a virtual arc, like these words, with the harp vibration of a telegraph, and no risk of contagion? How do we shrink this microscopic stage?
After almost three weeks of “sheltering in place,” I noticed that an entire layer of language has been sliced off from my life. The texture of language consists not only of words, but of touches, gestures, bodily postures, smells, ambiance, and even the weather.
It is possible to imagine this room, because you have been in it before.
The play begins / The play does not begin.