Crankie
The audience waits in dim light. They hear the sound of paper fluttering, sliding, and crinkling, before they see […]
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feast
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
It would be about them : Gloss 2
It is the fantasy of a body discovering new relationships with itself. Silvia wants to be where there are no dimensions, neither internal nor external.
Shelter
When you leave you leave the windows open and the doors and because the house sits by the sea by first light a film of sand gilds the floorboards and the kitchen chairs
The Sacred Something
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
Oroonoko, Called You, An Essay in Three Acts : Gloss
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]
Nearly Finished : Gloss
The mics across his body amplify every breath, rustle, or shift in position. The audience can barely see him, but his body extends to their ears. It's intensely intimate with no space between us – just a shared sound-filled presence.
Rock Performance
Gradually, the audience realizes that the rocks are this canyon's performers. It is the slowest performance to which this audience has ever borne witness.