The natural extension of this experiment would be for me to work with, say, five different directors from five varying backgrounds in ethnicity and gender self-identification, and ask them each to cast their version of the play as they see fit.
I welcome you. Go for a walk in the field. In the woods. Meadow. Desert. Street. Bring a roasted chicken dinner. Share it. All night there are sighs amongst us, a caress.
Gradually, the audience realizes that the rocks are this canyon's performers. It is the slowest performance to which this audience has ever borne witness.
We are complex, diverse, and for us identity is a verb. Every show starts with The Circle.
The primary aim of this theatre is to allow audiences to confront, engage with, and overcome their ignorance and fears about “others.”