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Wishful Thinking

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Wish-full thinking. It contains a wish, a hope, a possibility, a thought experiment, a fantasy, a “what if…”, the potential of the performance to enact change – political or social change, maybe, or a change in the energy of the room, or a psychological change, momentary or lasting, in the spectator.

The Age of Duse : Gloss

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The lectures are written for a course that is never taught because the discipline in which it might be delivered does not yet exist.

The Age of Duse

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Duse’s superpower: her capacity to disappear, leaving only her plaster hands as evidence that she was a material presence in the world. Disappearance. Reproduction. She knew the theatrical drill.

The heightened impossibilization of performance

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Can we compose a performance that sails to you across a virtual arc, like these words, with the harp vibration of a telegraph, and no risk of contagion? How do we shrink this microscopic stage?

The heightened impossibilization of performance : Gloss

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After almost three weeks of “sheltering in place,” I noticed that an entire layer of language has been sliced off from my life. The texture of language consists not only of words, but of touches, gestures, bodily postures, smells, ambiance, and even the weather.

Implicit Monuments

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Signs of violence are everywhere. Personal belongings, clothing, shoes, boxes, handbags, papers are scattered everywhere.

One-scene-one-person-one-song-musical

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I’m a playwright by trade, and like Wainwrights and Shipwrights, in this modern world Playwrights are pretty useless. It is a dying art. Seriously disrupted.