Nobody Sees Hamlet
The audience files into the theater. Lights fade out, chatting subsides. Lights up. a figure enters from stage left. They […]
The audience files into the theater. Lights fade out, chatting subsides. Lights up. a figure enters from stage left. They […]
The audience waits in dim light. They hear the sound of paper fluttering, sliding, and crinkling, before they see […]
I do not imagine a theater, because I live theater, breathe it in and out; I dream it. But, if I had to imagine a theater, then I'd like to imagine that the languages that have been forgotten, which are still spoken in many parts of the world, would be part of this new playwriting.
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...
They will surely become aware of the powers inherent in other generations, that the children and the elderly possess the wisdom of resurrection in our time.
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
like where did every like body go?
Signs of violence are everywhere. Personal belongings, clothing, shoes, boxes, handbags, papers are scattered everywhere.
Imagine their devotion. Imagine what they heard.